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Melancholy Category: Self Discovery For Music Artists (Part Five)


Melancholy Artist Going For Studio Session.
Melancholy Music Artist.

Controlling Excesses And Meeting Limitations (Melancholy )  


In the ongoing personal development series we examined the structure of self discovery in respect to music artists in part one , in part two we addressed the limitations and excesses associateed with the music artist, in the sanguine category, followed with a palliative we received from a guest writer while observing a break in part three   in part four we addressed cocontrolling excesses and meeting limitations in the choleric category, in this session we are treating same issue as addressed in other temperaments but in the melancholy category.



Melancholy Artist Reading Details
Melancholy Artist In A Mission For Details 


Melancholy.


The melancholies are regarded as perfectionists in that they pay attention to details, apply logic, read patterns through-it inline with their high capacity to perceive underpinning structures in various practice of human endeavor, for more information about melancholy visit the part one of the series


The melancholy artists usually have excellent mind in diagnosing mismatch in musical notes and bring to bear almost perfection the best way to render a vocal.

The down side of it is that they don't find their way around other genres out side their niche.

The major problem with the melancholy artist is the "too-serious" attitude and feeling offended almost all the time by other artists.  Forgetting that the entertainment industry is a place of capping, making and enjoying fun from other forms of ridiculous activities.




Depressed Artist
Depressed Melancholy Artist.


Another issue with the melancholy is getting easily depressed due to the following reasons:

The corrections he rendered on wrong musical notes were flatenned the next day by same artists.

Most Music artists, meeting the excitements and demands of fans with what he considered wrong musical pattern.

Why music fans derive fun and get satisfied 
 from what doesn't qualify as an ideal song.


 For the melancholy to curb excesses and meet their limitations there are some measures that are applicable..

Many a time the input of the melancholy is sort-for by other artists , but the attitude of artists in-need of the ideas in most cases end up very irritating to the melancholy, even as they are in die need of it. This could make the melancholy want to hold back his ideas, thereby hindering quality output.

This is one of the excesses of the melancholy which must be trimmed to enhance their resourcefulness. Firstly the melancholy has to take lead in the trimming process by not allowing the urge for vengeance to control his actions and inactions towards other artists. 

Secondly the melancholy have to learn to pay blind eye and deff ears to the trigger of the vengeful feeling of which in this case is the irritating attitude of other artists.

Thirdly the melancholy ought to see his contribution as service or sacrifice for humanity and not that the artist is deserving of it. 

It's after the above principle is achieved that the melancholy will learn to repeat every correction he made previously on any musical strategy, ensuring that the artists involved get used to it.

If the artist gets the strategy correctly, the both of you win, if he didn't, he may still win even with a wrong or unconventional musical  pattern. Owing to the fact that his new "nonsense" may be perceived and appreciated as a new trend by fans in the industry. So why not play a role and be relevant in the success.

For more understanding on the dynamics of the music industry due to varieties in the taste of fans vis-a-vis the need to avoid depression by melancholy this palliative resource will be helpful.

A Ridiculed Music Artist
Melancholy Artist Depressed After A Capping Session.


Another issue to consider here is that the melancholy may not enjoy how they ridicule her inline with other crazy behaviors exhibited by other artists. One way to overcome the experience is: befriending or buy-over the attacker.

 The above caption look bitter and seem hard to practice but the outcome is everlastingly rewarding.

This is how it works: identify the artist who is  fund of putting you on the spot. Invite him to a bar that there's a music idea you want to share. Talk the rubbish with him perhaps what he already know, drink with him, if he insist futting the bill allow him and keep hosting till you fut the bill. 
As time goes he sees you as aly even when you know that you have no aly,  he fights who attempts to put you on the spot even when you never discussed it with him but it's the best deal for you though. Getting one or two of these guys is not a bad idea. 


In the next post we will address controlling excesses and meeting limitations for the  phlegmatic music artists.







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